Hers has been an amazing transformation, from being the ‘ultimate epitome’ of glamour in Bollywood in the late 90s to the ‘favourite mascot’ of meaningful cinema in the new millennium. From being Bollywood’s ‘glamour girl’ who set the silver screen ablaze in the late 90s with films like Rangeela, Daud and Pyar Tune Kya Kiya - much before the arrival of ’sex sirens’ like Bipasha Basu, Mallika Sherawat and Neha Dhupia on the scene, Urmila Matondkar has today established herself as a ‘natural choice’ of meaningful filmmakers in India after her pathbreaking performances in Pinjar, Maine Gandhi Ko Nahin Mara and Banaras- A Mystic Love Story.
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